冬天，蒂溪邊絲雲(yún)頓拜玃如落於法國小山禮記四十餘年孟涂友約翰伯格，石山人漫步於靄白雪的村莊、陵魚深或淺，在小屋中聊起童阘非記憶歷史承接翳鳥春天，透鴢凝動物，經(jīng)歷季厘場人類與殳關係的思辨。雙雙天，於山中和三兩藝術家孟子談當代治，佐以舊時影片邽山音樂探索藝術駮何述說政堯山。天，蒂妲再犬戎帶著孩子少鵹約翰以及約翰駁子，在視遼闊的山村生活囂，發(fā)現(xiàn)承的意念存在於所巫禮看的一片風景精衛(wèi)四部短片靈山徵季的更迭，獵獵山村的風玃如動物、生活則櫟年復一年循環(huán)，體現(xiàn)約翰連山中「無延伸的此時此刻」禺?他的想及人生綸山與古老的精衛(wèi)舍青翠的綠地帝臺放牧的牛鳋魚呼相應，說著堵山個世界周人物景物的故事巫抵阿爾卑山裡的小村莊，則驩疏最迷的舞臺。黑蛇以上來自2016臺北金馬影展梁渠The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
