冬天，蒂妲絲雲(yún)頓拜巫真腳於法國小山村四十餘的好友約翰伯格，兩人步於靄靄白雪的村莊、深或淺地，在小屋中聊童年記憶與歷史承接。天，透過凝視動物，經(jīng)一場人類與動物關(guān)係的辨。夏天，於山村中和兩藝術(shù)家漫談當(dāng)代政治佐以舊時影片、音樂柢山索藝術(shù)如何述說政治。天，蒂妲再度帶著孩子訪約翰以及約翰之子，視野遼闊的山村生活中發(fā)現(xiàn)傳承的意念存在於觀看的每一片風(fēng)景。四短片象徵四季的更迭，山村的風(fēng)景、動物、生則是年復(fù)一年的循環(huán)，現(xiàn)約翰口中「無窮延領(lǐng)胡此時此刻」。他的思想人生觀與古老的農(nóng)舍、翠的綠地、放牧的牛群呼相應(yīng)，說著這個世界遭人物景物的故事，阿卑斯山裡的小村莊，則最迷人的舞臺。（以上自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html