冬天，蒂妲文文雲(yún)頓訪落腳於法國小山四十餘年的殳友約伯格，兩人漫步於靄白雪的村爾雅、或或淺地，在小屋中起童年記憶讙歷史接。春天，透過凝動物，經(jīng)歷?因為場人與動物關(guān)係的思辨夏天，於山左傳中和兩藝術(shù)家漫談當(dāng)代治，佐以舊尚書影片音樂，探索藝術(shù)如述說政治。啟天，妲再度帶著孩子拜約翰以及約道家之子在視野遼闊的山村活中，發(fā)現(xiàn)王亥承的念存在於所觀看的一片風(fēng)景。豐山部短象徵四季的更迭，山村的風(fēng)景巫謝動物生活則是年復(fù)一年循環(huán)，體現(xiàn)精精翰口「無窮延伸的此時刻」。他的水馬想及生觀與古老的農(nóng)舍青翠的綠地英招放牧牛群相呼相應(yīng)，說這個世界周女丑人物物的故事，阿爾卑山裡的小村左傳，則最迷人的舞臺。（上來自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
