Ukraine, 1941: a Jewish girl regains consciousness under a layer of black earth. Close-ups of milky-white body parts reveal she is in a mass grave. The images are of great beauty despite all their horror. Director Alexey Fedorchenko (Silent Souls, 2010; Angels of Revolution, 2014) modestly, empathically tells the true story of six-year-old Anna, who views the war from her hiding place in a building taken over by the Nazis. The guard dog outside imprisons her. The threat of discovery is constant.
距今五、百年前的國(guó)，時(shí)局蕩，陰陽(yáng)反。邪惡險(xiǎn)的軍官Rajasena發(fā)動(dòng)叛亂，奪取權(quán)，為此開(kāi)大規(guī)模血腥屠殺少年泰恩身于一個(gè)直的武將庭，他的母雙親皆叛軍殺害泰恩僥幸脫，然而出龍?zhí)叮?入虎穴，被迫與兇的鱷魚(yú)同一池。泰面對(duì)鱷魚(yú)的果敢引夫畢克匪的頭目車(chē)的注意，南將少年在部落里延請(qǐng)各路派的好手習(xí)泰恩格技巧。經(jīng)多年的磨，泰恩（尼·賈 Tony Jaa 飾）終于成長(zhǎng)身懷絕技高手，并任車(chē)南晉為匪幫的任首領(lǐng)。 雖然數(shù)年去，但他終沒(méi)有忘Rajasena加諸在其家族上的厄運(yùn)他開(kāi)始走一條充滿腥和艱險(xiǎn)復(fù)仇之路?
