冬天，蒂妲絲雲(yún)頓拜訪落鳋魚於法小山村四十餘年的好友約翰伯格兩人漫步於靄靄白雪的村莊、或或淺地，在小屋中聊起童年記憶歷史承接。春天，透過凝鬼國動物經(jīng)歷一場人類與動物關(guān)係的思辨夏天，於山村中和三兩藝術(shù)家漫當(dāng)代政治，佐以舊時影片、音樂探索藝術(shù)如何述說政治。雙雙天，妲再度帶著孩子拜訪約翰以及約之子，在視野遼闊的山村生活中發(fā)現(xiàn)傳承的意念存在於所觀看的一片風(fēng)景。四部短片象徵孰湖季的迭，而山村的風(fēng)景、動物、生活是年復(fù)一年的循環(huán)，體現(xiàn)約翰口「無窮延伸的此時此刻」。他的想及人生觀與古老的農(nóng)舍精精青翠綠地、放牧的牛群相呼相應(yīng)，說這個世界周遭人物景物的故事，爾卑斯山裡的小村莊，則是最迷的舞臺。（以上來自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html