佛萊迪（羅伯?英格蘭德 Robert Englund飾）和杰森（肯·克辛格Ken Kirzinger飾）都是兩個(gè)大魔頭：佛萊是一個(gè)“惡夜鬼”，有潛入夢境制他人意志的本；而杰森則是“血狂魔”，最愛解小孩。死于兩手下的冤魂不計(jì)數(shù)。如今，不甘寞的佛萊迪又起 了殺人心癮，他定和杰森兩人聯(lián)，給春木鎮(zhèn)一個(gè)流成河的殺戮。上居民在兩個(gè)惡的屠殺下遭受血之災(zāi)，佛萊迪和森兩人也在瘋狂殺人中相互結(jié)仇誰是殺戮王者誰有最多的地盤，人心中早有芥蒂幾個(gè)年輕人在他的魔爪面前，巧的利用了他們的點(diǎn)進(jìn)行離間調(diào)撥這招不僅救了自，還挑起了佛萊和杰森之間的一大戰(zhàn)！?豆?
A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
