Rich with fer-tile soil of a variety of traditional folk culture,the Xihe folk songs got cultivated and developed their own unique char-acteristics.
當(dāng)?shù)馗鞣N民間傳統(tǒng)文化的豐厚沃土滋養(yǎng)著西和山歌,歌詞的句式、韻轍、修辭和襯字等方面有其獨(dú)特的文學(xué)特征,其為西和人民寶貴的精神文化財(cái)富。
Exploration of Guizhou Tun Pu Folk Songs——in Comparison with Buyi national minority folk songs;
貴州屯堡山歌探析——與布依族山歌比較
Artistic generality of paper-cut and folk song in the north Shaanxi;
陜北剪紙與山歌的藝術(shù)共性
The folk song of Huayao,a special branch of Yao Minority(one of the fifty-five minorities in China),enjoys not only great significance in Chinese history and art but also special function in the life of Huayao people.
花瑤山歌不但具有極高的歷史價(jià)值和藝術(shù)價(jià)值,而且在花瑤生活中具有獨(dú)特的實(shí)用功能。
The auther firstly points out that as the outcome merging form the Chinese Centure with its local one,the Hakkas folk songs of Jaing Le county bears its unique musical style.
將樂(lè)客家山歌作為中原文化和本土文化相融合的產(chǎn)物,具有自己獨(dú)特的個(gè)性風(fēng)格,文章就將樂(lè)客家山歌的形成、類型與詞曲特點(diǎn)進(jìn)行一番初淺的探討。
"Liuzhou style"should be done in order to create folk songs of Liu Sanjie folk culture as the core brand,incorporate rich Guangxi folk culture elements,build a hundred miles of the city as the center Liujiang tourism clusters.
"風(fēng)情柳州"應(yīng)以打造柳州山歌這一劉三姐民俗文化品牌為核心,融入桂中地區(qū)豐富的民俗文化元素,構(gòu)建百里柳江為中心的城區(qū)旅游集群,在促進(jìn)旅游產(chǎn)業(yè)發(fā)展的同時(shí),促進(jìn)桂中非物質(zhì)文化遺產(chǎn)的保護(hù)與傳承。
Narrative Perspective in ShanGe of FENG Meng-long;
馮夢(mèng)龍《山歌》的敘事視角
In the late of Ming Dynasty, Feng Menglong had collected an abundance of Love Songs and had edited ShanGe.
在封建社會(huì)里，主流文學(xué)中的女性一直處于失語(yǔ)的境地，晚明馮夢(mèng)龍所編的《山歌》中收集了大量的私情歌謠。
On the Artistic Style of Wakas in The Tale of Genji;
《源氏物語(yǔ)》和歌藝術(shù)風(fēng)格論
Looking at Japanese People s Aesthetic Standards from Japanese Classical Waka and Haiku;
從日本古典和歌及俳句看日本人的審美觀表現(xiàn)
As a reading note to the literary history,this essay describes Abeno Nakamaro s astonishing experiences in China as well as his Chinese poems and Waka creation.
晁衡在華的神奇經(jīng)歷和他的漢詩(shī)及和歌創(chuàng)作都是值得記述的。
This technology was applied in Wakayama/Section Mill and Kashima/Large Section Mill.
該技術(shù)應(yīng)用于和歌山型鋼軋機(jī)和鹿島大型型鋼軋機(jī)。
THE ANALYSIS OF THE COOPERATION BETWEEN CSC AND SMI ABOUT THE UPSTREAM OPERATION AT WAKAYAMA STEEL WORKS;
中鋼與住友金屬關(guān)于和歌山上游生產(chǎn)線合作分析
While haozi and the mountain songs had definite self-consolation value and practical applications,
號(hào)子、山歌具有很強(qiáng)的自?shī)市院蛯?shí)用性，
Meters, Added Words and Phrases of Pastoral Songs in Hunan;
初論湖南牧牛山歌的格律和襯字襯詞
The Research for the Historical Evolution and Contemporary Development of Hakka Folk Songs in Meixian
梅縣客家山歌的歷史和現(xiàn)狀調(diào)查研究
And her voice is now the fishing song and the tinkle of mountain springs....
她的聲音，成了江中的漁歌和山間輕柔的流水聲……。
<Of the sons of Korah. a Psalm. a Song.> This house is resting on the holy mountain.
(可拉后裔的詩(shī)歌。)耶和華所立的根基在圣山上。
Confrontation between "Earthliness" and "Reclusion"--On the Two Themes of Saigyou s Japanese Poetry;
“世”與“山里”的對(duì)峙——論西行法師和歌的兩大主題
A Comparative Study of the Chinese Landscape Art during the Tang Dynasty and the Lake Poems in Britain;
唐朝山水藝術(shù)和英國(guó)湖畔派詩(shī)歌之比較
Exploration of Guizhou Tun Pu Folk Songs--in Comparison with Buyi national minority folk songs;
貴州屯堡山歌探析——與布依族山歌比較
An Origin Investigation of Folk Songs in Meishan;
梅山民歌考源——梅山民歌系列研究之一
Examples are Climbing Mount Jia and North-South Road Mountain Song of the Zhuang and the Butterfly Song of the yao.
如壯族的"上甲山歌"、 "南北路山歌"，瑤族的"蝴蝶歌"等。
MEISHAN RELIGION AND MEISHAN FOLK SONGS--Series of Researches of Meishan Folk Songs;
梅山教與梅山民歌——梅山民歌系列研究之三
the morning songs (also called "sacred"songs) of the area where Yunnan, Guizhou and Sichuan provinces meet; the Dading mountain songs; the Midu mountain song s;
云、貴、川交界地帶的"晨歌"(又名"神歌")、大定山歌、彌渡山歌，
Poetry with Seven Characters in a Line Did Not Originate from the Mode of Poetry of Chu --Proceeding from the comparison between Song of Harmony·Today There Are People and The Nine Songs·The Spirit of the Mountains;
七言詩(shī)并非源于楚辭體之辨說(shuō)——從《相和歌·今有人》與《九歌·山鬼》的比較說(shuō)起
The Heritage of Xinguo Folk Song from Hakka Folk Music Culture;
論興國(guó)山歌《打支山歌過(guò)橫排》與贛南客家山歌音樂(lè)文化之傳承
All the various temple fairs with their yang'ge and lion dancers, bands and jugglers leading the way moved to the hills.
秧歌，獅子，開(kāi)路，五虎棍，和其他各樣的會(huì)，都陸續(xù)的往山上去。
Should seem `a cuckoo-song,' as thou dost treat it. /Remember, never to the hill or plain,
你會(huì)把它看成一支“布谷鳥(niǎo)的歌曲”；／可是記著，在那青山和綠林間，